To stay positive, I've been working hard and taking mega-doses of music. Here's what I've been aurally self-medicating with:
TOSCA at the Los Angeles Opera
Tosca isn't my favorite opera. It's not even my favorite Puccini opera. (I prefer La Boheme and Madame Butterfly.) But I've listened to the legendary Maria Callas/ Giuseppe di Stefano/Tito Gobbi recording about a million times, and this was a chance to see Sondra Radvanofsky, currently the top American soprano and one of our favorite singers, in a role that's perfect for her. In fact, we saw her in this very production in 2013.
The Tiny Goddess and I have seen Sondra four times: as Leonora in "Il Trovatore," her signature role ... a stunning Suor Angelica in Puccini's one-acter, directed brilliantly by William Friedkin ... ... in recital ... and as Tosca. Each time, she has delivered "Golden Age" thrills to my ears, and this time was no different.
Conducted by LA Opera's musical director James Conlon (leading, by his reckoning, his 69th performance of TOSCA – more than any other opera) and directed by John Caird (co-director of the Royal Shakespeare Company's stupendous NICHOLAS NICKLEBY and other things including a knockout Siegfried and Roy show we saw with the kids in Las Vegas many years ago), this was a straight-ahead TOSCA with few surprises but many blessings. First of all, it was very well-sung and well-conducted. Conlon and Radvanofsky have obviously studied the Callas/ recording and made perceptive choices, deviating from the "perfect" line created by conductor Victor de Sabata for interesting dramatic purpose.